This post originally appeared on Fresh Fiction, June 17, 2014
THE HIDDEN SECRETS BEHIND ONCE UPON A HIGHLAND AUTUMN
It’s release day For ONCE UPON A HIGHLAND AUTUMN!
It’s a pleasure to be here at Fresh Fiction to share this
day with you.
I also thought I’d share some of my deep, dark writerly
secrets today, and tell you a bit about the story behind ONCE UPON A HIGHLAND
AUTUMN.
ONCE UPON A HIGHLAND AUTUMN is the second book in the ‘Once
Upon A Highland’ series, which began with Once Upon A Highland Summer. Each
book in the series has a different magical theme, an otherworldly, mysterious
edge. Highland Summer featured a pair of meddlesome ghosts, who return from the
grave to see that their descendants find the love, fortune, and happiness they
themselves missed out on.
In ONCE UPON A HIGHLAND AUTUMN, it’s Megan MacNabb’s turn to
be caught up by mysterious forces, this time an ancient curse.
ONCE UPON A HIGHLAND AUTUMN is actually two stories in one.
Megan and Kit’s love story is interwoven with the tale of how the dreadful
curse that lies upon Glen Dorian came to be, a tragic story of love, loss, and
war, that is still awaiting an ending when Kit and Megan’s story begins, some
seventy years later.
Now for one of my secrets: I’m a typical insecure, neurotic,
introverted writer. I write half a book, then wail that it must be the very
worst thing ever written in the entire history of writing—including grocery
lists and misspelled ransom demands. My family has learned to roll their eyes
and ignore me after nine books, and nine mid-manuscript panic attacks. By the
time I reach the end of the story, I have a good cry (for some reason, no
matter how many times I read them, or edit them, the endings of my books
inexplicably make me burst into tears), and decide it’s really not such a bad
story after all.
Writing ONCE UPON A HIGHLAND AUTUMN felt different—I loved
the characters from the moment they stepped onto the page. Megan and Kit have
incredible chemistry, the atmosphere of the ruined castle is wonderfully spooky
and gothic, the secondary characters were charming and quirky and did not try
to take over the story for themselves, and Mairi MacIntosh’s Culloden story
made me cry.
I must admit I’ve always had a fascination with the Battle
of Culloden. It began back in high school, when I saw a documentary about it in
history class and cried. I visited Culloden Moor in 2009, and it is the
saddest, most somber place I’ve ever been. I’ve always wanted to write about
the battle and it’s tragic aftermath, so I took the make it part of Mairi’s
story in ONCE UPON A HIGHLAND AUTUMN.
While I was in Scotland, I bought a CD at Culloden (Songs
and Voices of the Forty-Five), of Gaelic speakers singing about the battle.
I’ll admit to sitting in the car listening to those songs, crying my eyes out,
while I was working on writing ONCE UPON A HIGHLAND AUTUMN. Oh dear—Please
don’t get the idea that I cry all the time, dear readers—just at the ending of
my books, and over Culloden, and of course PBS’s Call The Midwife makes me cry
with every single episode, and so does Camelot (yes, the musical). It’s just
that even though I don’t speak Gaelic (alas), the emotion in the songs on the
CD is so heartfelt, and knowing what happened to the Highlanders after the
battle—well, there were waterworks. I wanted to convey that terrible sense of
suffering and loss in my book.
Still, I wanted the story to come to a happy conclusion,
even if it’s seventy years in the making, and takes a new generation to bring
love and peace back to Glen Dorian. Sigh. Nothing beats a happy ending. And now
I need another Kleenex …
l
This post originally appeared on For The Love of Bookends, June 18,
2014
BOOKENDS AND OTHER CHARACTERS
Welcome, dear readers! I’m so happy to spend time with you
here today.
file:///Users/leciacornwall/Desktop/IMG_4878.JPG
I thought I’d start by showing you my own Bookends. A few
years ago, we adopted two black and white rescue cats, a brother and sister,
and named them Clive and Emma. They used to sit on either side of my desk while
I wrote, and earned the nickname “The Bookends”. This is a picture of them with
two of my books, taken a few years ago. Clive is on the left, Emma on the right.
While Clive has since discovered other interests, Emma still sits in her own
sweater-lined box on my desk and supervises. You can see by the look on her
face that she was born to be a literary critic!
People often ask me (odd, but true) if my cats help me
create book characters. Um, no. I never ever use anyone I actually know in my
stories, human or otherwise. Think how awkward that would make Christmas dinner
and family reunions! I have five cats, and the closest they come to literature
is the fun we have finding the perfect names and nicknames for them.
It’s the same choosing the perfect name for book characters,
too. Sometimes the names are determined in a previous book, where the hero or
heroine was a mere secondary character, and his or her name not critically
important to the story. Then they get their own book, and a writer might wish
she’d been more selective in picking their name in the first place.
Since ONCE UPON A HIGHLAND AUTUMN is the second book in a
series, Megan’s name was pre-selected. The hero of Book #1, Once Upon A
Highland Summer, has three sisters. I chose each sister’s name because it could
be easily Anglicized as part of the plot. Their mother is determined her
daughters will marry English lords, and live English lives, and never
acknowledge their Scottish background again. She fears Englishmen will not
appreciate ladies with Scottish names, accents, and habits, so she changes
their names from Megan, Alanna and Sorcha to Margaret, Alice, and Sarah. As you
can imagine, this creates a good deal of confusion for other characters, and
fun for readers.
In selecting a name for the hero of ONCE UPON A HIGHLAND
AUTUMN, I wanted something exceedingly English, dignified, and formal because
that is how I originally thought he would be. I chose the name Christopher
Linwood, the Earl of Rossington. But although Rossington is indeed an English
lord with an old, grand and moneyed title, he’s an uncertain one, a bit uneasy
in his role as earl, since he was not born to the title. He fought against his
name when I started writing the book, and eventually became Kit instead of
Christopher, and the diminutive fits him perfectly.
Have you ever had this happen? You ask the clerk in a shoe
store for a size 9, and he comes back with a size 6 because he’s out of size 9.
I find giving a character the wrong name is like trying to cram a size 9 foot
into a size 6 shoe. Ouch. The right name—the sound and feel of it—is like that
perfect pair of shoes that make you feel gorgeous every time you step out.
Places also need the perfect name. When I was little (one of
those daftly imaginative kids who make up stories in their heads when they’re
supposed to be learning long division), I wanted to grow up and live in a house
with a name. I even chose one—Lostwithiel. It means ‘at the end of the wood’.
Alas, none of my houses have ever been grand enough to warrant a name beyond
the street address. To find the perfect name for Glen Dorian, the setting for
ONCE UPON A HIGHLAND AUTUMN, I went through lists of Scottish places, animals
and landscape features. Glen Dorian means The Vale of the Otters. Otters are
playful, smart, rather shy, yet bold when they wish to be. I thought those
characteristics described my hero and heroine well, and they also symbolize the
spirit of the woman who laid the curse upon the glen, Mairi Macintosh, who
still watches over the place.
So what did I name the rest of my cats? There’s Ted, who
came with his name. Second is Alphonse. Then there’s Tom, who arrived on a
winter’s night. He was indeed a tom, and a charmer. I was writing another book
when Tom arrived, and the hero of that story was Thomas Merritt, a suave and
charming thief, and a bit of a tomcat himself. That described the cat, too, and
the name stuck.
l
This post originally appeared on the LIVE TO READ book blog on June 19,
2014
HERO WANTED: APPLY HERE
Welcome dear reader! How nice to enjoy a virtual cup of tea
with you here at Live To Read today, and chat a bit about the inspiration
behind choosing characters for ONCE UPON A HIGHLAND AUTUMN.
People often ask me where I get my ideas—the checkout lady
in the supermarket asked just yesterday. Sometimes the tone is slightly
admonishing, full of unspoken shock—where on
earth do you get those ridiculous
ideas? That kind of question usually comes from relatives, who know I was
properly brought up, but wonder how I managed to fall off the rails anyway.
But those aren’t the people I write my stories for—you are.
I’m never stuck for story ideas. Real life offers so much
plot potential—even grocery shopping—so there’s always a story percolating in
my brain.
My favorite challenge lies in creating characters that will
be heroic, beloved, and intriguing. They must have flaws, and make terrible
mistakes before they reach their happy conclusion. Why shouldn’t they suffer
the uncertainties of life and love just like the rest of us? Or even more, since
that’s what makes their story worth reading.
I have a questionnaire I fill out for the main characters in
each story, like a job application, before I start writing. There are questions
about their personalities, what events in their lives have made them the way
they are, and what they really want out of life, and why they want this job.
I’ll bet the checkout lady had to complete a similar application to get her
job. It fixes in my mind who my characters are, how they will react to the
difficult situations they’re going to face in a Lecia Cornwall novel.
Still, even with planning, there are characters that do
their utmost to break the mold and shatter expectations. They go off script,
again and again. Frustrating? Actually it’s my favorite part of writing—that
moment when something happens that I (the writer) didn’t expect, and it changes
everything. Breathtaking!
My hero, Christopher Linwood, the Earl of Rossington refused
to behave as expected. I originally intended him to be the exact opposite of the
heroine in personality and culture—stiff, formal, very English, and rather
arrogant. But Kit wasn’t born into his title. He inherited it after the death
of his father and older brother, and since he wasn’t raised to be an earl, he’s
uneasy in the role. Kit, a diminutive of Christopher, suited him much better,
and I found the inspiration for his mannerisms in a wonderful old movie—How To Steal a Million. Peter O’Toole
plays a supposedly inept art thief, but in reality he’s a world-class expert on
forgery. He’s shy, awkward and totally smitten in Audrey Hepburn’s presence,
but he’s quick witted and ready to help her out of her predicament. That
persona fit Kit perfectly, and I’m sure Megan McNabb, our heroine, would agree.
And a picture can be worth a thousand words—or even 85,000
words. Most of the time, in my mind, my main characters’ faces are blank, as if
I am looking out through their eyes from the inside. I love the process of
creating a visual storyboard to give readers a glimpse of the images playing
inside my brain as I write, and how I imagine my characters might look (I do
this after the book is finished). You can see my Pinterest Board for ONCE UPON
A HIGHLAND AUTUMN at
http://www.pinterest.com/leciacornwall/once-upon-a-highland-autumn-by-lecia-cornwall/
l
Originally written for SOS Aloha, June 20, 2014
A TALE OF TWO STORIES (AND TWO BATTLES)
I love Scottish history. My husband was born in Paisley,
near Glasgow, and my children (now adults) are passionate about their heritage.
My son wears his Kennedy tartan kilt proudly, and family legend says that deep,
deep, deep in the past, Robert the Bruce may have been a distant ancestor. Fun
to think that might be true!
My own roots are English and Ukrainian, but Scots or not,
the Highlands have always been a place of magic, mystery and romance for me.
The landscape, the clan system, the traditions, the battles, the language, the
music, the legends, and even the whisky (especially the whisky) … all add up to
a fascinating culture filled with wonderful stories for a writer to build upon,
and for a reader to fall in love with.
Kim, my gracious host at SOS Aloha, asked me to write a blog
post about the anniversary of the Scottish Battle of Bannockburn, which took
place 700 years ago, on June 24 1314. But there’s another battle in ONCE UPON A
HIGHLAND AUTUMN.
In fact, ONCE UPON A HIGHLAND AUTUMN is a tale within a
tale. It’s the story of Mairi’s curse, born of the tragedies that followed the
Battle of Culloden. And it’s the story of Kit and Megan, who must find a way to
end that curse some seventy years later. But let’s start with the battles.
Uh oh—I can sense your eyes glazing over, and you’re
dreading the idea that a romance writer is about to tell you about two Scottish
battles. Come with me, dear reader, and I’ll tell you why these battles have
captured my imagination, and are worth hearing about. One was a beginning, a
victory, the other a sad ending, and a great loss—like the stories in ONCE UPON
A HIGHLAND AUTUMN.
I must tell you that I am not a historian—I’m a storyteller.
I see stories within the facts, and the opportunity to create fictional
characters against the backdrop of historical events. I read and research
voraciously, and I love that part of the process almost as much as I love
writing stories. I do my very best to ensure the facts included in my books are
accurate, but the story and the characters are made up.
When I think about the battles of Bannockburn and Culloden,
in my mind one battle marked the start of an independent Scotland, and the other
marked the end of the same (if you are a professional Scottish historian, I’m
sure you’ll write to me if I’m wrong in this opinion).
Now for my 30-second history lesson:
The Battle of Bannockburn in 1314 was a great victory for
the Scots, and a turning point in the Scottish Wars of Independence that led to
Scottish sovereignty. The Scots defeated an English force nearly twice the size
of their own, and won English respect at last, though full independence took
another ten years to achieve.
The Battle of Culloden took place on April 16, 1746. Did you
know it was the very last land battle fought on British soil? The aftermath was
so brutal, so shameful, that to this day the English regiments who fought there
do not include Culloden among the battle honors listed on their regimental
colors. The battle ended the Jacobite rebellions, which began when the Stuart
Kings of England and Scotland were deposed and replaced. Bonnie Prince Charlie
Stuart came to Scotland, his ancestral homeland, to raise an army on behalf of
his father, in hopes of reclaiming the throne. It was a romantic adventure,
complete with a handsome prince, an army of heroic Scots, and a stirring
patriotic cause. They almost won.
At Culloden Moor, in less than an hour, the government
forces smashed the Jacobites. Prince Charlie rode away, took ship for France,
and never returned. For the Highland clans, it was the beginning of the end of
their way of life. After the battle, government troops enforced the
Pacification of the Highlands, destroying the rebellious clans by wholesale
killing, burning, and looting. Highlanders were murdered, arrested,
transported, executed, or left to rot in prison. Under new laws, passed in
London, wearing of the plaid was forbidden, as was the speaking of Gaelic, and
the playing of bagpipes.
There now, the history lesson is over. For the very keen
among you, there’s a list of some of my favorite historical resources below.
I visited Culloden in 2009, and I have never been to a
sadder, more somber place. There’s a legend that says birds will not sing as
they fly over the battlefield, and although I can’t remember whether I saw
birds there, I do remember the incredible silence.
In ONCE UPON A HIGHLAND AUTUMN, I created Connor MacIntosh,
a Highland laird in 1746 who is determined to remain neutral and keep his clan
out of the fighting. Connor meets an English army officer a few weeks before
Culloden when his wife’s young brother invades the English camp on a dare. When
the lad slips away to Culloden Moor to watch the battle, Connor goes to rescue
him. The English officer saves the lad, but Connor disappears, leaving his
young wife to wait and wonder. Alone and afraid, Mairi MacIntosh lays a curse
upon the ones who have taken her husband, driven her family into the hills, and
burned her home: Glen Dorian shall suffer no one to live within its walls again
until true love—the only force strong enough to withstand such
adversity—returns there.
The second story—the romance—begins seventy years later,
when Kit Rossington discovers a letter in an old trunk in England that draws
him to Scotland to solve Mairi’s mystery. In Scotland, he meets Megan McNabb, a
lass bent on finding the ending to Mairi’s story for an entirely different
reason. But the curse is strong, and the pretense of a handfasting of
convenience will not satisfy Glen Dorian’s restless spirits. Love, and only
love, will do the trick.
I must admit I love this story—it’s one of my favorites, out
of the nine books I’ve written to date. I hope you enjoy it as well—and if
you’re a Scottish historian, forgive me for taking liberties. I do so with the
greatest love and respect for Scottish culture.
A few of my favorite Scottish history resources:
Culloden, book by
John Prebble
A History of Scotland
by Neil Oliver (book or BBC DVD)
Battlefield Britain
(The Battle of Culloden) BBC TV, with Peter and Dan Snow
White Rose Rebel a
novel by Janet Paisley, about the real-life Jacobite heroine Colonel Anne
MacIntosh
l
The following interview with New Asian Writing took place in June, 2014
NAW: Tell us about
your book ONCE UPON A HIGHLAND AUTUMN. How did you get the idea for it, and how
long did it take to finish the book? What is it about?
ONCE UPON A HIGHLAND AUTUMN is the second in a series of
books set in the Scottish Highlands. The stories follow the McNabb family, a
brother and his three sisters. Once Upon A Highland Summer (Book #1) was Alec’s
story, and ONCE UPON A HIGHLAND AUTUMN is Megan’s story. Once Upon a Highland
Christmas (book #3) will be out in December this year.
Each book in the series has a bit of a paranormal theme
(nothing blatant). In Highland Summer, a pair of meddlesome ghosts rise from
their graves to help bring the love and happiness to their descendants,
something they missed out in in their own lives.
In ONCE UPON A HIGHLAND AUTUMN, there’s an ancient curse
upon Glen Dorian, and a mystery to solve.
In Once Upon A Highland Christmas, the theme is magic and a
misadventure with a love spell gone wrong.
Most of my books take between three and six months to
complete. ONCE UPON A HIGHLAND AUTUMN was written in just over three months.
ONCE UPON A HIGHLAND AUTUMN is two stories in one—the story
of how the curse came to be laid upon the glen in the tragic aftermath of the
Battle of Culloden. Mairi’s curse hovers over the glen for some seventy years,
a spirit without rest, a story without an ending, until two very uncertain
lovers arrive in the glen.
The main story—the romance between Kit and Megan, begins
when Kit finds a lost letter in a trunk in England, and comes to Scotland to
solve a mystery. But eager ladies, determined to bring the marriage-shy earl to
the altar follow Kit to the Highlands, and Kit will do anything, even enter
into a handfasting of convenience with a Highland lass, to avoid matrimony.
Megan McNabb will do anything to get out of marrying the
English marquess her mother has chosen for her—even handfasting with an English
stranger. But the curse that guards the glen tests Kit and Megan’s growing
passion before it gives up its secrets, and they must prove their love is
strong enough to pass the test.
NAW: What’s your
favorite scene from ONCE UPON A HIGHLAND AUTUMN?
That’s a tough question—I must admit that this book is one
of my favorites out of the nine books I’ve written to date! It’s not that I
don’t love my other stories, just that this one has a special place in my
heart. I love the scene when Megan and Kit meet in the ruined castle of Glen
Dorian. He has a splinter and she pulls it out with hilarious consequences, but
the curse conspires against them, and Kit must rescue Megan. I love the
chemistry between Kit and Megan in this scene, and the spookiness of the ruined
castle.
NAW: Tell us about
your other works.
To date, I’ve written nine books (I can’t believe it’s that
many!), all set in the English Regency era. My first book, SECRETS OF A PROPER
COUNTESS, won the 2011 Reader’s Choice Award for best debut novel. That book
was followed by THE PRICE OF TEMPTATION, and then a novella, ALL THE PLEASURES
OF THE SEASON. While not officially a series, these stories are connected.
I began a new series with HOW TO DECIEVE A DUKE, followed by
THE SECRET LIFE OF LADY JULIA, and WHAT A LADY MOST DESIRES, which will be
released in September this year.
ONCE UPON A HIGHLAND SUMMER began my Highland series,
followed by ONCE UPON A HIGHLAND AUTUMN. ONCE UPON A HIGHLAND CHRISTMAS will be
available in early December 2014.
NAW: What made you
decide to write a mix of historical romance? How much research did you have to
do for your books? How did you go about it?
I have always loved history. I’ve read both historical
fiction and non-fiction since I was a child. When I decided to write historical
romance, I chose the English Regency for several reasons. It’s a very vibrant
time period, with a lot of social and scientific changes happening. The
Napoleonic wars offer a breathtaking military backdrop, along with plenty of
smugglers, spies, and traitors, and there was the Regency itself, a mad king
and his unpopular son. The Regency was also an era with a great many rules and
expectations, and it’s such fun to write characters who must live within those
rules, and still manage to break them whenever possible. And the fashions, for
both men and women—who could resist such a perfect setting for romance?
My Scottish books come from a similar love for Scottish
history. My husband was born in Scotland, and my children grew up listening to
real stories at their Scottish grandmother’s knee. My son, now 22, wears his
Kennedy kilt proudly.
To me, the Scottish Highlands are a place of magic and
mystery, and Scottish culture is fierce and patriotic and yet kind and caring.
Every book I write requires some research, but I love that
part of the writing process as much as I love creating plots, characters and
stories. For the Highland series, I did a lot of reading about the clan system,
Scottish folklore, and specific holiday and seasonal traditions. I also read as
much as I could find about the Battle of Culloden, which is featured in the
first two books.
NAW: Which authors
have influenced you?
In romance, my very favorite authors are still Mary Balogh,
Jo Beverely, Eloisa James and Julie Garwood. My all time favorite romance is A Knight In Shining Armor by Jude
Deveraux.
I read a lot of historical fiction as well, and love
Philippa Gregory, especially the Red Queen, and her Earthly Joys books.
NAW: Tell us about
yourself. What do you do when you aren’t writing?
I have so many interests! I live with five cats, a chocolate
lab, two university-aged children, and one husband, all of which keep me very
busy. One of my favorite parts of the day is walking with my dog Kipper beside
the beautiful Bow River. We both get a chance to think, breathe, and enjoy
nature.
I love to garden,
though plants that come to my house must be able to thrive on benign neglect
and in Calgary’s harsh growing conditions. I was very excited to find Scottish
heather at my local garden center this spring, which I brought home and planted
for luck, and in honor of both our family heritage and my Scottish books.
I also love to cook, usually with my son, and we regularly
try international dishes—Indian, Thai, Moroccan, Italian, Russian, Mexican, and
Scottish, too.
I love to read, and I tend to have several books on the go
at once. Currently I’m reading The Bloodletter’s Daughter by Linda Lafferty,
and several research books for another writing project. My bedside table is
piled high with books, and my iPad is full of book samples waiting to be read.
NAW: How important
are the names of characters in your books? How do you name your characters?
I love the process of picking the perfect name! I think the
name must fit the character, feel natural. In ONCE UPON A HIGHLAND AUTUMN, I
wanted the hero’s name to be very English, very stiff and formal, to reflect
his personality. I chose Christopher Linwood, Earl of Rossington. But he wasn’t
born into his title. He inherited it when his father and older brother died,
and he’s uneasy in his role as earl. I found that using the diminutive of
Christopher, Kit, fit him much better.
I have a well-used book, The
Character Naming Sourcebook, by Sherilyn Kenyon, which offers first names
from every culture. I also use old phonebooks and even maps to come up with
names for places, titles, and people.
NAW: Did you face any
struggles early on? How did your first book get published?
I’m afraid my greatest struggle is usually with myself. I
must admit that even now, when I sit down to write, I feel fear, and wonder if
I can really do this. I know I can, but that kernel of doubt is always there.
Once I start writing, I get sucked into the work, absorbed by it, and the words
come and fill the page.
I began the process of trying to find a literary agent many
years ago. I sent out my first two submissions, and received two rejections.
Though I didn’t understand it at the time, they were good rejections—kind and encouraging, saying that my work had merit
and just needed a bit of polish, but all I saw was the rejection part. I hid
the manuscripts away and stopped trying when I should have kept going.
When I moved to Calgary from Ottawa in 2004, I joined a
writing group, found critique partners, and gathered the courage to send my
work out again. I entered writing contests for the feedback, and submitted to
agents and editors regularly (this was in the days before self-publishing). I
made a list of agents, editors and contest, and a rule—when a rejection came
back, I had to send something else out within a week. It meant there was always
something out there in the world, always hope that my dream of being published
would come true.
I met my agent through a contest in 2008—one of the perks
for contest finalists was a face-to-face meeting with the agent of their choice
at a conference. Although the agent rejected my contest entry (which came in
second), she asked to see something else. I received her offer of
representation while I was away in Scotland on holiday in 2009. She helped me
polish and submit my first book, and we received two offers of publication.
That book became SECRETS OF A PROPER COUNTESS, published in 2011, just a few
days after my forty-ninth birthday.
NAW: Name your five
favorite authors.
Philippa Gregory
(for making history sing. In the Red Queen, the heroine is extremely
unlikeable, but the author still makes you want to follow that story to the
very end)
Julie Garwood
(For the wonderful sense of fun in her Scottish romances)
Jennifer Roberson
(author of Lady of the Glen, and Lady of the Forest, both so beautifully
written they make me sigh every time I re-read them)
Mary Balogh (For
her wonderful characters, and the way she makes opposites work so well
together)
Bernard Cornwell
(For sheer adventure, and unforgettable heroes)
NAW: What are your
upcoming projects?
I’ve just finished writing three books in the space of a
year, all of which will be published in the second half of 2014. Phew! I am
taking this summer to work on a new project of my very own, a historical
fiction novel set in Paris in World War II.
l
This post originally appeared on Fresh Fiction, June 17, 2014
THE HIDDEN SECRETS BEHIND ONCE UPON A HIGHLAND AUTUMN
It’s release day For ONCE UPON A HIGHLAND AUTUMN!
It’s a pleasure to be here at Fresh Fiction to share this
day with you.
I also thought I’d share some of my deep, dark writerly
secrets today, and tell you a bit about the story behind ONCE UPON A HIGHLAND
AUTUMN.
ONCE UPON A HIGHLAND AUTUMN is the second book in the ‘Once
Upon A Highland’ series, which began with Once Upon A Highland Summer. Each
book in the series has a different magical theme, an otherworldly, mysterious
edge. Highland Summer featured a pair of meddlesome ghosts, who return from the
grave to see that their descendants find the love, fortune, and happiness they
themselves missed out on.
In ONCE UPON A HIGHLAND AUTUMN, it’s Megan MacNabb’s turn to
be caught up by mysterious forces, this time an ancient curse.
ONCE UPON A HIGHLAND AUTUMN is actually two stories in one.
Megan and Kit’s love story is interwoven with the tale of how the dreadful
curse that lies upon Glen Dorian came to be, a tragic story of love, loss, and
war, that is still awaiting an ending when Kit and Megan’s story begins, some
seventy years later.
Now for one of my secrets: I’m a typical insecure, neurotic,
introverted writer. I write half a book, then wail that it must be the very
worst thing ever written in the entire history of writing—including grocery
lists and misspelled ransom demands. My family has learned to roll their eyes
and ignore me after nine books, and nine mid-manuscript panic attacks. By the
time I reach the end of the story, I have a good cry (for some reason, no
matter how many times I read them, or edit them, the endings of my books
inexplicably make me burst into tears), and decide it’s really not such a bad
story after all.
Writing ONCE UPON A HIGHLAND AUTUMN felt different—I loved
the characters from the moment they stepped onto the page. Megan and Kit have
incredible chemistry, the atmosphere of the ruined castle is wonderfully spooky
and gothic, the secondary characters were charming and quirky and did not try
to take over the story for themselves, and Mairi MacIntosh’s Culloden story
made me cry.
I must admit I’ve always had a fascination with the Battle
of Culloden. It began back in high school, when I saw a documentary about it in
history class and cried. I visited Culloden Moor in 2009, and it is the
saddest, most somber place I’ve ever been. I’ve always wanted to write about
the battle and it’s tragic aftermath, so I took the make it part of Mairi’s
story in ONCE UPON A HIGHLAND AUTUMN.
While I was in Scotland, I bought a CD at Culloden (Songs
and Voices of the Forty-Five), of Gaelic speakers singing about the battle.
I’ll admit to sitting in the car listening to those songs, crying my eyes out,
while I was working on writing ONCE UPON A HIGHLAND AUTUMN. Oh dear—Please
don’t get the idea that I cry all the time, dear readers—just at the ending of
my books, and over Culloden, and of course PBS’s Call The Midwife makes me cry
with every single episode, and so does Camelot (yes, the musical). It’s just
that even though I don’t speak Gaelic (alas), the emotion in the songs on the
CD is so heartfelt, and knowing what happened to the Highlanders after the
battle—well, there were waterworks. I wanted to convey that terrible sense of
suffering and loss in my book.
Still, I wanted the story to come to a happy conclusion,
even if it’s seventy years in the making, and takes a new generation to bring
love and peace back to Glen Dorian. Sigh. Nothing beats a happy ending. And now
I need another Kleenex …
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This post originally appeared on For The Love of Bookends, June 18,
2014
BOOKENDS AND OTHER CHARACTERS
Welcome, dear readers! I’m so happy to spend time with you
here today.
I thought I’d start by showing you my own Bookends. A few
years ago, we adopted two black and white rescue cats, a brother and sister,
and named them Clive and Emma. They used to sit on either side of my desk while
I wrote, and earned the nickname “The Bookends”. This is a picture of them with
two of my books, taken a few years ago. Clive is on the left, Emma on the right.
While Clive has since discovered other interests, Emma still sits in her own
sweater-lined box on my desk and supervises. You can see by the look on her
face that she was born to be a literary critic!
People often ask me (odd, but true) if my cats help me
create book characters. Um, no. I never ever use anyone I actually know in my
stories, human or otherwise. Think how awkward that would make Christmas dinner
and family reunions! I have five cats, and the closest they come to literature
is the fun we have finding the perfect names and nicknames for them.
It’s the same choosing the perfect name for book characters,
too. Sometimes the names are determined in a previous book, where the hero or
heroine was a mere secondary character, and his or her name not critically
important to the story. Then they get their own book, and a writer might wish
she’d been more selective in picking their name in the first place.
Since ONCE UPON A HIGHLAND AUTUMN is the second book in a
series, Megan’s name was pre-selected. The hero of Book #1, Once Upon A
Highland Summer, has three sisters. I chose each sister’s name because it could
be easily Anglicized as part of the plot. Their mother is determined her
daughters will marry English lords, and live English lives, and never
acknowledge their Scottish background again. She fears Englishmen will not
appreciate ladies with Scottish names, accents, and habits, so she changes
their names from Megan, Alanna and Sorcha to Margaret, Alice, and Sarah. As you
can imagine, this creates a good deal of confusion for other characters, and
fun for readers.
In selecting a name for the hero of ONCE UPON A HIGHLAND
AUTUMN, I wanted something exceedingly English, dignified, and formal because
that is how I originally thought he would be. I chose the name Christopher
Linwood, the Earl of Rossington. But although Rossington is indeed an English
lord with an old, grand and moneyed title, he’s an uncertain one, a bit uneasy
in his role as earl, since he was not born to the title. He fought against his
name when I started writing the book, and eventually became Kit instead of
Christopher, and the diminutive fits him perfectly.
Have you ever had this happen? You ask the clerk in a shoe
store for a size 9, and he comes back with a size 6 because he’s out of size 9.
I find giving a character the wrong name is like trying to cram a size 9 foot
into a size 6 shoe. Ouch. The right name—the sound and feel of it—is like that
perfect pair of shoes that make you feel gorgeous every time you step out.
Places also need the perfect name. When I was little (one of
those daftly imaginative kids who make up stories in their heads when they’re
supposed to be learning long division), I wanted to grow up and live in a house
with a name. I even chose one—Lostwithiel. It means ‘at the end of the wood’.
Alas, none of my houses have ever been grand enough to warrant a name beyond
the street address. To find the perfect name for Glen Dorian, the setting for
ONCE UPON A HIGHLAND AUTUMN, I went through lists of Scottish places, animals
and landscape features. Glen Dorian means The Vale of the Otters. Otters are
playful, smart, rather shy, yet bold when they wish to be. I thought those
characteristics described my hero and heroine well, and they also symbolize the
spirit of the woman who laid the curse upon the glen, Mairi Macintosh, who
still watches over the place.
So what did I name the rest of my cats? There’s Ted, who
came with his name. Second is Alphonse. Then there’s Tom, who arrived on a
winter’s night. He was indeed a tom, and a charmer. I was writing another book
when Tom arrived, and the hero of that story was Thomas Merritt, a suave and
charming thief, and a bit of a tomcat himself. That described the cat, too, and
the name stuck.
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This post originally appeared on the LIVE TO READ book blog on June 19,
2014
HERO WANTED: APPLY HERE
Welcome dear reader! How nice to enjoy a virtual cup of tea
with you here at Live To Read today, and chat a bit about the inspiration
behind choosing characters for ONCE UPON A HIGHLAND AUTUMN.
People often ask me where I get my ideas—the checkout lady
in the supermarket asked just yesterday. Sometimes the tone is slightly
admonishing, full of unspoken shock—where on
earth do you get those ridiculous
ideas? That kind of question usually comes from relatives, who know I was
properly brought up, but wonder how I managed to fall off the rails anyway.
But those aren’t the people I write my stories for—you are.
I’m never stuck for story ideas. Real life offers so much
plot potential—even grocery shopping—so there’s always a story percolating in
my brain.
My favorite challenge lies in creating characters that will
be heroic, beloved, and intriguing. They must have flaws, and make terrible
mistakes before they reach their happy conclusion. Why shouldn’t they suffer
the uncertainties of life and love just like the rest of us? Or even more, since
that’s what makes their story worth reading.
I have a questionnaire I fill out for the main characters in
each story, like a job application, before I start writing. There are questions
about their personalities, what events in their lives have made them the way
they are, and what they really want out of life, and why they want this job.
I’ll bet the checkout lady had to complete a similar application to get her
job. It fixes in my mind who my characters are, how they will react to the
difficult situations they’re going to face in a Lecia Cornwall novel.
Still, even with planning, there are characters that do
their utmost to break the mold and shatter expectations. They go off script,
again and again. Frustrating? Actually it’s my favorite part of writing—that
moment when something happens that I (the writer) didn’t expect, and it changes
everything. Breathtaking!
My hero, Christopher Linwood, the Earl of Rossington refused
to behave as expected. I originally intended him to be the exact opposite of the
heroine in personality and culture—stiff, formal, very English, and rather
arrogant. But Kit wasn’t born into his title. He inherited it after the death
of his father and older brother, and since he wasn’t raised to be an earl, he’s
uneasy in the role. Kit, a diminutive of Christopher, suited him much better,
and I found the inspiration for his mannerisms in a wonderful old movie—How To Steal a Million. Peter O’Toole
plays a supposedly inept art thief, but in reality he’s a world-class expert on
forgery. He’s shy, awkward and totally smitten in Audrey Hepburn’s presence,
but he’s quick witted and ready to help her out of her predicament. That
persona fit Kit perfectly, and I’m sure Megan McNabb, our heroine, would agree.
And a picture can be worth a thousand words—or even 85,000
words. Most of the time, in my mind, my main characters’ faces are blank, as if
I am looking out through their eyes from the inside. I love the process of
creating a visual storyboard to give readers a glimpse of the images playing
inside my brain as I write, and how I imagine my characters might look (I do
this after the book is finished). You can see my Pinterest Board for ONCE UPON
A HIGHLAND AUTUMN at
http://www.pinterest.com/leciacornwall/once-upon-a-highland-autumn-by-lecia-cornwall/
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Originally written for SOS Aloha, June 20, 2014
A TALE OF TWO STORIES (AND TWO BATTLES)
I love Scottish history. My husband was born in Paisley,
near Glasgow, and my children (now adults) are passionate about their heritage.
My son wears his Kennedy tartan kilt proudly, and family legend says that deep,
deep, deep in the past, Robert the Bruce may have been a distant ancestor. Fun
to think that might be true!
My own roots are English and Ukrainian, but Scots or not,
the Highlands have always been a place of magic, mystery and romance for me.
The landscape, the clan system, the traditions, the battles, the language, the
music, the legends, and even the whisky (especially the whisky) … all add up to
a fascinating culture filled with wonderful stories for a writer to build upon,
and for a reader to fall in love with.
Kim, my gracious host at SOS Aloha, asked me to write a blog
post about the anniversary of the Scottish Battle of Bannockburn, which took
place 700 years ago, on June 24 1314. But there’s another battle in ONCE UPON A
HIGHLAND AUTUMN.
In fact, ONCE UPON A HIGHLAND AUTUMN is a tale within a
tale. It’s the story of Mairi’s curse, born of the tragedies that followed the
Battle of Culloden. And it’s the story of Kit and Megan, who must find a way to
end that curse some seventy years later. But let’s start with the battles.
Uh oh—I can sense your eyes glazing over, and you’re
dreading the idea that a romance writer is about to tell you about two Scottish
battles. Come with me, dear reader, and I’ll tell you why these battles have
captured my imagination, and are worth hearing about. One was a beginning, a
victory, the other a sad ending, and a great loss—like the stories in ONCE UPON
A HIGHLAND AUTUMN.
I must tell you that I am not a historian—I’m a storyteller.
I see stories within the facts, and the opportunity to create fictional
characters against the backdrop of historical events. I read and research
voraciously, and I love that part of the process almost as much as I love
writing stories. I do my very best to ensure the facts included in my books are
accurate, but the story and the characters are made up.
When I think about the battles of Bannockburn and Culloden,
in my mind one battle marked the start of an independent Scotland, and the other
marked the end of the same (if you are a professional Scottish historian, I’m
sure you’ll write to me if I’m wrong in this opinion).
Now for my 30-second history lesson:
The Battle of Bannockburn in 1314 was a great victory for
the Scots, and a turning point in the Scottish Wars of Independence that led to
Scottish sovereignty. The Scots defeated an English force nearly twice the size
of their own, and won English respect at last, though full independence took
another ten years to achieve.
The Battle of Culloden took place on April 16, 1746. Did you
know it was the very last land battle fought on British soil? The aftermath was
so brutal, so shameful, that to this day the English regiments who fought there
do not include Culloden among the battle honors listed on their regimental
colors. The battle ended the Jacobite rebellions, which began when the Stuart
Kings of England and Scotland were deposed and replaced. Bonnie Prince Charlie
Stuart came to Scotland, his ancestral homeland, to raise an army on behalf of
his father, in hopes of reclaiming the throne. It was a romantic adventure,
complete with a handsome prince, an army of heroic Scots, and a stirring
patriotic cause. They almost won.
At Culloden Moor, in less than an hour, the government
forces smashed the Jacobites. Prince Charlie rode away, took ship for France,
and never returned. For the Highland clans, it was the beginning of the end of
their way of life. After the battle, government troops enforced the
Pacification of the Highlands, destroying the rebellious clans by wholesale
killing, burning, and looting. Highlanders were murdered, arrested,
transported, executed, or left to rot in prison. Under new laws, passed in
London, wearing of the plaid was forbidden, as was the speaking of Gaelic, and
the playing of bagpipes.
There now, the history lesson is over. For the very keen
among you, there’s a list of some of my favorite historical resources below.
I visited Culloden in 2009, and I have never been to a
sadder, more somber place. There’s a legend that says birds will not sing as
they fly over the battlefield, and although I can’t remember whether I saw
birds there, I do remember the incredible silence.
In ONCE UPON A HIGHLAND AUTUMN, I created Connor MacIntosh,
a Highland laird in 1746 who is determined to remain neutral and keep his clan
out of the fighting. Connor meets an English army officer a few weeks before
Culloden when his wife’s young brother invades the English camp on a dare. When
the lad slips away to Culloden Moor to watch the battle, Connor goes to rescue
him. The English officer saves the lad, but Connor disappears, leaving his
young wife to wait and wonder. Alone and afraid, Mairi MacIntosh lays a curse
upon the ones who have taken her husband, driven her family into the hills, and
burned her home: Glen Dorian shall suffer no one to live within its walls again
until true love—the only force strong enough to withstand such
adversity—returns there.
The second story—the romance—begins seventy years later,
when Kit Rossington discovers a letter in an old trunk in England that draws
him to Scotland to solve Mairi’s mystery. In Scotland, he meets Megan McNabb, a
lass bent on finding the ending to Mairi’s story for an entirely different
reason. But the curse is strong, and the pretense of a handfasting of
convenience will not satisfy Glen Dorian’s restless spirits. Love, and only
love, will do the trick.
I must admit I love this story—it’s one of my favorites, out
of the nine books I’ve written to date. I hope you enjoy it as well—and if
you’re a Scottish historian, forgive me for taking liberties. I do so with the
greatest love and respect for Scottish culture.
A few of my favorite Scottish history resources:
Culloden, book by
John Prebble
A History of Scotland
by Neil Oliver (book or BBC DVD)
Battlefield Britain
(The Battle of Culloden) BBC TV, with Peter and Dan Snow
White Rose Rebel a
novel by Janet Paisley, about the real-life Jacobite heroine Colonel Anne
MacIntosh
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The following interview with New Asian Writing took place in June, 2014
NAW: Tell us about
your book ONCE UPON A HIGHLAND AUTUMN. How did you get the idea for it, and how
long did it take to finish the book? What is it about?
ONCE UPON A HIGHLAND AUTUMN is the second in a series of
books set in the Scottish Highlands. The stories follow the McNabb family, a
brother and his three sisters. Once Upon A Highland Summer (Book #1) was Alec’s
story, and ONCE UPON A HIGHLAND AUTUMN is Megan’s story. Once Upon a Highland
Christmas (book #3) will be out in December this year.
Each book in the series has a bit of a paranormal theme
(nothing blatant). In Highland Summer, a pair of meddlesome ghosts rise from
their graves to help bring the love and happiness to their descendants,
something they missed out in in their own lives.
In ONCE UPON A HIGHLAND AUTUMN, there’s an ancient curse
upon Glen Dorian, and a mystery to solve.
In Once Upon A Highland Christmas, the theme is magic and a
misadventure with a love spell gone wrong.
Most of my books take between three and six months to
complete. ONCE UPON A HIGHLAND AUTUMN was written in just over three months.
ONCE UPON A HIGHLAND AUTUMN is two stories in one—the story
of how the curse came to be laid upon the glen in the tragic aftermath of the
Battle of Culloden. Mairi’s curse hovers over the glen for some seventy years,
a spirit without rest, a story without an ending, until two very uncertain
lovers arrive in the glen.
The main story—the romance between Kit and Megan, begins
when Kit finds a lost letter in a trunk in England, and comes to Scotland to
solve a mystery. But eager ladies, determined to bring the marriage-shy earl to
the altar follow Kit to the Highlands, and Kit will do anything, even enter
into a handfasting of convenience with a Highland lass, to avoid matrimony.
Megan McNabb will do anything to get out of marrying the
English marquess her mother has chosen for her—even handfasting with an English
stranger. But the curse that guards the glen tests Kit and Megan’s growing
passion before it gives up its secrets, and they must prove their love is
strong enough to pass the test.
NAW: What’s your
favorite scene from ONCE UPON A HIGHLAND AUTUMN?
That’s a tough question—I must admit that this book is one
of my favorites out of the nine books I’ve written to date! It’s not that I
don’t love my other stories, just that this one has a special place in my
heart. I love the scene when Megan and Kit meet in the ruined castle of Glen
Dorian. He has a splinter and she pulls it out with hilarious consequences, but
the curse conspires against them, and Kit must rescue Megan. I love the
chemistry between Kit and Megan in this scene, and the spookiness of the ruined
castle.
NAW: Tell us about
your other works.
To date, I’ve written nine books (I can’t believe it’s that
many!), all set in the English Regency era. My first book, SECRETS OF A PROPER
COUNTESS, won the 2011 Reader’s Choice Award for best debut novel. That book
was followed by THE PRICE OF TEMPTATION, and then a novella, ALL THE PLEASURES
OF THE SEASON. While not officially a series, these stories are connected.
I began a new series with HOW TO DECIEVE A DUKE, followed by
THE SECRET LIFE OF LADY JULIA, and WHAT A LADY MOST DESIRES, which will be
released in September this year.
ONCE UPON A HIGHLAND SUMMER began my Highland series,
followed by ONCE UPON A HIGHLAND AUTUMN. ONCE UPON A HIGHLAND CHRISTMAS will be
available in early December 2014.
NAW: What made you
decide to write a mix of historical romance? How much research did you have to
do for your books? How did you go about it?
I have always loved history. I’ve read both historical
fiction and non-fiction since I was a child. When I decided to write historical
romance, I chose the English Regency for several reasons. It’s a very vibrant
time period, with a lot of social and scientific changes happening. The
Napoleonic wars offer a breathtaking military backdrop, along with plenty of
smugglers, spies, and traitors, and there was the Regency itself, a mad king
and his unpopular son. The Regency was also an era with a great many rules and
expectations, and it’s such fun to write characters who must live within those
rules, and still manage to break them whenever possible. And the fashions, for
both men and women—who could resist such a perfect setting for romance?
My Scottish books come from a similar love for Scottish
history. My husband was born in Scotland, and my children grew up listening to
real stories at their Scottish grandmother’s knee. My son, now 22, wears his
Kennedy kilt proudly.
To me, the Scottish Highlands are a place of magic and
mystery, and Scottish culture is fierce and patriotic and yet kind and caring.
Every book I write requires some research, but I love that
part of the writing process as much as I love creating plots, characters and
stories. For the Highland series, I did a lot of reading about the clan system,
Scottish folklore, and specific holiday and seasonal traditions. I also read as
much as I could find about the Battle of Culloden, which is featured in the
first two books.
NAW: Which authors
have influenced you?
In romance, my very favorite authors are still Mary Balogh,
Jo Beverely, Eloisa James and Julie Garwood. My all time favorite romance is A Knight In Shining Armor by Jude
Deveraux.
I read a lot of historical fiction as well, and love
Philippa Gregory, especially the Red Queen, and her Earthly Joys books.
NAW: Tell us about
yourself. What do you do when you aren’t writing?
I have so many interests! I live with five cats, a chocolate
lab, two university-aged children, and one husband, all of which keep me very
busy. One of my favorite parts of the day is walking with my dog Kipper beside
the beautiful Bow River. We both get a chance to think, breathe, and enjoy
nature.
I love to garden,
though plants that come to my house must be able to thrive on benign neglect
and in Calgary’s harsh growing conditions. I was very excited to find Scottish
heather at my local garden center this spring, which I brought home and planted
for luck, and in honor of both our family heritage and my Scottish books.
I also love to cook, usually with my son, and we regularly
try international dishes—Indian, Thai, Moroccan, Italian, Russian, Mexican, and
Scottish, too.
I love to read, and I tend to have several books on the go
at once. Currently I’m reading The Bloodletter’s Daughter by Linda Lafferty,
and several research books for another writing project. My bedside table is
piled high with books, and my iPad is full of book samples waiting to be read.
NAW: How important
are the names of characters in your books? How do you name your characters?
I love the process of picking the perfect name! I think the
name must fit the character, feel natural. In ONCE UPON A HIGHLAND AUTUMN, I
wanted the hero’s name to be very English, very stiff and formal, to reflect
his personality. I chose Christopher Linwood, Earl of Rossington. But he wasn’t
born into his title. He inherited it when his father and older brother died,
and he’s uneasy in his role as earl. I found that using the diminutive of
Christopher, Kit, fit him much better.
I have a well-used book, The
Character Naming Sourcebook, by Sherilyn Kenyon, which offers first names
from every culture. I also use old phonebooks and even maps to come up with
names for places, titles, and people.
NAW: Did you face any
struggles early on? How did your first book get published?
I’m afraid my greatest struggle is usually with myself. I
must admit that even now, when I sit down to write, I feel fear, and wonder if
I can really do this. I know I can, but that kernel of doubt is always there.
Once I start writing, I get sucked into the work, absorbed by it, and the words
come and fill the page.
I began the process of trying to find a literary agent many
years ago. I sent out my first two submissions, and received two rejections.
Though I didn’t understand it at the time, they were good rejections—kind and encouraging, saying that my work had merit
and just needed a bit of polish, but all I saw was the rejection part. I hid
the manuscripts away and stopped trying when I should have kept going.
When I moved to Calgary from Ottawa in 2004, I joined a
writing group, found critique partners, and gathered the courage to send my
work out again. I entered writing contests for the feedback, and submitted to
agents and editors regularly (this was in the days before self-publishing). I
made a list of agents, editors and contest, and a rule—when a rejection came
back, I had to send something else out within a week. It meant there was always
something out there in the world, always hope that my dream of being published
would come true.
I met my agent through a contest in 2008—one of the perks
for contest finalists was a face-to-face meeting with the agent of their choice
at a conference. Although the agent rejected my contest entry (which came in
second), she asked to see something else. I received her offer of
representation while I was away in Scotland on holiday in 2009. She helped me
polish and submit my first book, and we received two offers of publication.
That book became SECRETS OF A PROPER COUNTESS, published in 2011, just a few
days after my forty-ninth birthday.
NAW: Name your five
favorite authors.
Philippa Gregory
(for making history sing. In the Red Queen, the heroine is extremely
unlikeable, but the author still makes you want to follow that story to the
very end)
Julie Garwood
(For the wonderful sense of fun in her Scottish romances)
Jennifer Roberson
(author of Lady of the Glen, and Lady of the Forest, both so beautifully
written they make me sigh every time I re-read them)
Mary Balogh (For
her wonderful characters, and the way she makes opposites work so well
together)
Bernard Cornwell
(For sheer adventure, and unforgettable heroes)
NAW: What are your
upcoming projects?
I’ve just finished writing three books in the space of a
year, all of which will be published in the second half of 2014. Phew! I am
taking this summer to work on a new project of my very own, a historical
fiction novel set in Paris in World War II.
